Below is a list of Gentile composers who wrote music on Jewish, or at least Hebrew, themes, or who have some (conscious) connection to Jewish music or a Jewish composer of the time. Some were commissioned, some were written out of interest, and some for a religious or cultural reason. This list is not yet complete, but gives a survey of the works composed at that time.

SURNAME	FORENAME	DATES	WHERE	NOTES
Banchieri	Adriano	1568-1634	Bologna, Italy	Wrote La Pazzia Senile (1598), whose subject matter makes his interest in Jewish life clear, and Mercante Bresciano et Hebrei, which includes the madrigal La Sinagoga (1605, Venice)
Carissimi	Giacomo	1605-74	Rome, Italy	Wrote Yiftach (Jepthe, c.1648)
Grossi	Carlo	1634-88	Venice, Italy	Wrote Cantata Ebraica in Dialogo (c.1681), for Hoshana Rabbah and commissioned by the Watchers of the Dawn fraternity.
di Lasso	Orlando	1530/32-94	France & Munich, Germany	Wrote a setting of Psalm 137, and the madrigal Ecco la nimph'ebraica chiamata (1581)
Lidarti	Christian Joseph	1730-c.93	Viennese-Italian	Wrote the oratorio Ester (early 1770s) with Hebrew text by the Italian Rabbi Jacob Raphael Saraval. Also wrote three synagogal chants. All for the Portuguese Jewish community in Amsterdam.
Marcello	Benedetto	1686-1739	Venice, Italy	Several Hebrew melodies are found in Marcello's Estro poetico-harmonico of 1624-26.
Mei	Horacion	fl.18th century	Livorno, Italy	Art music composed for a Jewish wedding in early 18th century.
Saladin	Louis	fl.17th century	Provence, France	Canticum Hebraicum commissioned around 1670 to celebrate a circumcision ceremony of one of Avignon's wealthy Jewish families. Saladin was requested to set music to several religious texts, and the libretto is in Hebrew throughout. He is most remembered today for his association with the Provençal Jewish community and this piece; no other music survives.
Viadana	Ludovico	c.1560-1627	Mantua, Italy	Colleague of Salamone Rossi in Mantua; published the first collection of sacred (Christian) monody, the Cento concerti ecclesiastici of 1602, but many of his settings are remarkably similar to Rossi's.
Weelkes	Thomas	1576-1623	London, UK	Adapted two of Rossi's canzonet's (unattributed) in his Ayeres or Phantasticke Spirites for Three Voices of 1608.